BAILEN New York, New York
Raised and rooted in New York City by classically trained musician parents and their wide-ranging, eclectic record collection, BAILEN has emerged as a favorite in indie circles by cultivating a passionate following via word of mouth, robust playlisting and a stream of steady touring and collaborating with artists such as Amos Lee, The Lone Bellow, Joseph, and Hozier to name a few. ... more
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supported by 11 fans who also own “Hiding”
You know, it wasn't my favorite for a while, but for some reason i decided to listen to it on loop a few weeks ago and now I can't stop thinking about it. I love the synths, the tone, the lyricism, even the music videos which I feel I should mention!!! (also, should've been me reminds me a bit of abba which is an automatic bonus in my book)
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supported by 10 fans who also own “Hiding”
savior complex makes my stomach feel full when i forgot to have breakfast
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The Land Is Inhospitable and So Are We
by Mitski
supported by 10 fans who also own “Hiding”
I remember seeing everyone freak out on twitter when this was announced. I had literally zero idea what Mitski's music even was like apart from bits of Nobody & Washing Machine Heart, so when it came out I had no idea what to expect. I think that deciding to listen to this album was one of the best decisions I've ever made. Every single song is a standout track to me, which I don't say lightly. It also led me to listen to the rest of her discography, which I haven't regretted in the slightest.
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Strange Adrenaline (LP | 2023)
by Nat Vazer
Woozy and melodic alternative rock from Melbourne-artist Nat Vazer sounds like a grungier Alvvays.
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1990s-era indie-folk sounds back songs about love and identity on this project from the Florida-based artist.
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Sweet Tooth (Extended Version)
by Kaycie Satterfield
Can’t-miss, sunshine-y vocal melodies glide through warm guitar pop for a surge of summer in the midst of winter.
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Weathervanes
by Jason Isbell and the 400 Unit
supported by 9 fans who also own “Hiding”
1st time i heard DeathWish, i turned it off. felt rushed, not the Isbell i've come to admire. really grab'd me when i took time to listen on the 2nd try. the writing on these songs stopped me in my tracks more than once. raw talent with just enough polish in the delivery. thankyou Jason + 400 for another keeper
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